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The Last Mail Leaving Newcastle, July 5, 1847 Painting ID:: 19909
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Pollard, James The Last Mail Leaving Newcastle, July 5, 1847 Oil on panel.
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Hatchetts- The White Horse Cellar, Piccadilly Painting ID:: 19910
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Pollard, James Hatchetts- The White Horse Cellar, Piccadilly Oil on canvas.
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Springing Them up to meet the Train and Just in time for the Coach to Hull Painting ID:: 27315
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Pollard, James Springing Them up to meet the Train and Just in time for the Coach to Hull both signed one dated 1843-oil on panel 6 1/2 x 9 1/4 in (16.5 x 23.5 cm) (mk59)
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A Meet Outside The Swan inn Painting ID:: 27435
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Pollard, James A Meet Outside The Swan inn signed oil on board 8 by 12 in .20.3 by 30.5 cm (mk59)
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The Royal Mail Coaches for the North Ieaving the Angel Islington Painting ID:: 28010
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Pollard, James The Royal Mail Coaches for the North Ieaving the Angel Islington 1827
Oil on canvas 103.2 x 146.4cm (40 3/4 x 57 3/4 in) Tate Gallery London (mk63)
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Pollard, James
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English, 1792-1867
Painter and etcher, son of Robert Pollard. His early career was spent in the shadow of his father, for whom he worked as an etcher of miscellaneous sporting subjects before establishing himself c. 1820 as a sporting painter in his own right. A typical example is Doncaster Races: Horses Starting for the St Leger (1831; Paul Mellon priv. col.). Following a commission from the King's Printseller, Edward Orme, for an inn signboard showing a coach and horses, Pollard began to specialize in coaching scenes. |
Related Artists::. | Max Kurzweil | Jan Sanders van Hemessen | Frederic Dorr Steele | |
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